“We are part of the film and television industry out of Toronto, and our finished product will appear on camera,” said Sean Vizsy, owner and president, Full Frame Signs. “The high-quality output from the Acuity Select 28 is much more impressive compared to any other press in this category, and this flatbed also appeals to our other clients within various industries and markets.”
The Acuity Select 20 Series features up to eight color channels, including options to run white, varnish and now light inks, showcasing Fujifilm’s Uvijet KN ink. The versatility of printing high quality, 1200 dpi (or greater) graphics on rigid, flexible and even roll media gives printers new, additional opportunities to expand their offerings and ultimately, their business. The combination of inks, varnishes, and media options provide a myriad of solutions for sign and display customers.
“We are very much a short-run or prototype-business, and we are not managing large-runs,” Vizsy said. “We work with smaller distribution channels, and with the Acuity Select 28, we are experiencing upwards of 30% savings on labor costs; and that’s reapplied labor, not labor we’ve eliminated, as we’ve re-allocated efforts to other areas, boosting productivity all-around.”
Full Frame Signs outputs on a variety of rigid substrates, for indoor and outdoor use, including acrylic, PVC board, styrene, plastic sheets, and corrugated.
“We are using the Acuity Select 28 for all of our rigid substrate output, and white corrugated prints beautifully,” Vizsy said. “Often times our film and television clients provide their own substrates to print on, flexible or rigid, depending on their needs at any particular moment while on-set.”